Everything Put Together
- Original title
- Everything Put Together
- Year
- 2000
- Running time
- 87 min.
- Country
United States
- Director
- Screenwriter
- Cast
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- Radha Mitchell
- Megan Mullally
- Catherine Lloyd Burns
- Jacqueline Heinze
- Courtney Watkins
- Matt Malloy
- Mark Boone Junior
- Blake Rossi
- Louis Ferreira
- Michele Hicks
- Alan Ruck
- See all credits
- Music
- Cinematography
- Producer
- Genre
- Drama | Independent Film (US)
- Synopsis
- Angie (Radha Mitchell) seems to have it all--a loving husband, a close circle of friends, a baby on the way. But when her newborn dies of SIDS, the isolated grief that quickly intervenes presents an alarming portrait of modern-day tribal outcasting as the American dream gets turned inside-out to reveal a cruel undertow. Treated as though she might taint their own families with bad luck, Angie's girlfriends abandon Angie to her grief and increasingly unstable behavior.
An idyllic suburban life has never been portrayed to more queasy effect than in Marc Forster's Everything Put Together. Forster (Monster's Ball) shuttles artfully between the intimate handheld camera commotion of communal activities--neighborly barbecues, shopping excursions, rap sessions among friends--and the motionless scenes of Angie's unhinged state when alone, to create an atmosphere of suburban suffocation matched only by Todd Haynes's Safe.-
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- Awards
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2000: Independent Spirit Awards: Someone to Watch Award. 2 Nominations2000: Sundance Film Festival: Nominated for Grand Jury Prize
- Critics' reviews
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"Riveting, often haunting."
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"The carefully crafted Everything Put Together is unpredictably venturesome, and cinematographer Roberto Schaefer makes virtuoso use of digital video"
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"Seeks to portray loss as a literal, convulsive nightmare, and it's not above resorting to horror-movie tropes and Grand Guignol trickery."
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"Mitchell -- gives a harrowing, beautifully conceived performance, the depth and arc of which can't be fully appreciated until the film's final scene."
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"Unfortunately, director Marc Foster (who co-wrote the screenplay) never allows anyone except Mitchell to play more than a one-dimensional character."
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"Takes a couple of curious turns that you will either applaud or hiss at, depending on the type of film you are looking for."
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"A finely acted expressionistic critique of the suburban baby culture and its joys, fears and fetishes."
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