The Greatest Hits

"[It] never finds the right tune (...) David Corenswet and Justin H. Min provide decent romantic foils but no one has enough depth to create lasting characters" 

"Ned Benson returns to high-concept romance after his three-pronged 'Eleanor Rigby' with a wistful charmer about the price of nostalgia" 

"This is a love story; it’s not meant to be logical. Still, such a premise lives or dies by its execution (...) 'The Greatest Hits' feels like the remainder-bin version of better love stories" 

"A solid conceit and a functional love story. But a story about someone attempting to bring the love of their life back from the dead should probably contain a little bit more vibrato" 

"[It] is a poignant exploration of grief, memory and the transformative power of music, marking his foray into magical realism. At its core, this film, brought to life by a vibrant " 

"While 'The Greatest Hits' might not inspire thoughtful essays, as a cinematic pop album it satisfies with a few somber notes, some lesser tracks, and a few terrific moments where it all just works" 

"Benson’s screenplay proves that a more direct, simplistic romance might’ve been even more impactful. Instead, with 'The Greatest Hits', Benson gives us the film equivalent of an album with a cool cover that masks the inadequate record within"